Experimenting with dark comedy and neo-noir has always been a risky space in Indian cinema. When it comes to making films that will become cult classics, many directors tend to compromise their creativity and logic. Candy and the Pizza Girl is one such movie. The odd title of the movie and the way it was marketed to the audience made us expect a lot from it. What is promoted as a wild cinematic experience turns into an exhausting watch. Unlike films such as Delhi Belly, where chaos was supported by a tight screenplay, here only chaos remains.
