Anurag Kashyap’s Kennedy is the kind of film that sits with you in silence. It does not rush to impress, nor does it spell everything out. Instead, it lingers in dark corners, in unfinished conversations and in the tired eyes of its lead character. Led by Rahul Bhat, with Sunny Leone in a pivotal role, the film aims for something intimate and unsettling. It often succeeds in mood, though not always in its momentum to carry more burden of plots and subplots than it should.